1// 《但愿我能为您描绘得更好》第二期里献给友子的歌: “菜单／那么今夜何处是京都／猫咪马琳”（演唱者：“声音向导”乐队，声音介入部分：何颖雅、何京蕴） From the publication iwishicoulddescribeittoyoubetter number two, for Tomoko: “Menu/So Where Is Kyoto Tonight?/Mullin The Mog” by DirectorSound with inserts by Elaine W. HO and Anouchka van DRIEL
2// “解手与生产”，尝试为高灵口头翻译Paul CHAN的文本  “Pee and Production”, trying to orally translate a text by Paul CHAN to GAO Ling

3// 爸爸骑着摩托， 儿子坐在后座上打着快板， 我们一起在儿童电影夜场喝了点酒，家作坊2010年  The boy comes home with his father playing kuaiban, we had been drinking at the kids’ movie night, HomeShop 2010
4// “你好呀，劳伦斯老师！” 这段对我外婆的采访录音是1991年我中学历史课上的家庭作业——“口述历史”，我妈妈也在“其间”。 “Hellll-o Mizz Lawrence!” An oral history project, my grandmother, mother and me, 1991

5// 五岁的我，在数数和唱歌  When I was 5 years old, counting and singing
6// 我在购买的迷你SD卡上找到了70多首歌，从中选了十首歌并通过数码处理，把它们的节拍统一成每分钟120拍（特殊感谢Ryan KING在数码处理） Music found on the micro-SD cards purchased to create this work, whereby among 70 songs in total ten were chosen and digitally synced at 120 beats per minute (processing courtesy of Ryan KING)

—–
装置在《第三房：如何独处》展览，站台中国，2010年11月11日－2011年1月24日
Installation part of The Third Party: How to Be Alone (or nowhere else am i safe from the question: why here?), on view at Platform China, 11 November 2010 – 24 January 2011