1// 《但愿我能为您æç»˜å¾—更好》第二期里献给å‹åçš„æŒ: “èœå•ï¼é‚£ä¹ˆä»Šå¤œä½•处是京都ï¼çŒ«å’ªé©¬ç³â€ï¼ˆæ¼”唱者:“声音å‘导â€ä¹é˜Ÿï¼Œå£°éŸ³ä»‹å…¥éƒ¨åˆ†ï¼šä½•颖雅ã€ä½•京蕴) From the publication iwishicoulddescribeittoyoubetter number two, for Tomoko: “Menu/So Where Is Kyoto Tonight?/Mullin The Mog” by DirectorSound with inserts by Elaine W. HO and Anouchka van DRIEL
2// “解手与生产â€ï¼Œå°è¯•为高çµå£å¤´ç¿»è¯‘Paul CHAN的文本 “Pee and Productionâ€, trying to orally translate a text by Paul CHAN to GAO Ling
3// çˆ¸çˆ¸éª‘ç€æ‘©æ‰˜ï¼Œ å„¿åå在åŽåº§ä¸Šæ‰“ç€å¿«æ¿ï¼Œ 我们一起在儿童电影夜场å–了点酒,家作åŠ2010å¹´Â The boy comes home with his father playing kuaiban, we had been drinking at the kids’ movie night, HomeShop 2010
4// “ä½ å¥½å‘€ï¼ŒåŠ³ä¼¦æ–¯è€å¸ˆï¼” 这段对我外婆的采访录音是1991年我ä¸å¦åކå²è¯¾ä¸Šçš„å®¶åºä½œä¸šâ€”—“å£è¿°åކå²â€ï¼Œæˆ‘妈妈也在“其间â€ã€‚ “Hellll-o Mizz Lawrence!” An oral history project, my grandmother, mother and me, 1991
5// 五å²çš„æˆ‘,在数数和唱æŒÂ When I was 5 years old, counting and singing
6// 我在è´ä¹°çš„è¿·ä½ SDå¡ä¸Šæ‰¾åˆ°äº†70多首æŒï¼Œä»Žä¸é€‰äº†å首æŒå¹¶é€šè¿‡æ•°ç 处ç†ï¼ŒæŠŠå®ƒä»¬çš„节æ‹ç»Ÿä¸€æˆæ¯åˆ†é’Ÿ120æ‹ï¼ˆç‰¹æ®Šæ„Ÿè°¢Ryan KING在数ç 处ç†ï¼‰ Music found on the micro-SD cards purchased to create this work, whereby among 70 songs in total ten were chosen and digitally synced at 120 beats per minute (processing courtesy of Ryan KING)
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装置在《第三房:如何独处》展览,站å°ä¸å›½ï¼Œ2010å¹´11月11æ—¥ï¼2011å¹´1月24æ—¥
Installation part of The Third Party: How to Be Alone (or nowhere else am i safe from the question: why here?), on view at Platform China, 11 November 2010 – 24 January 2011