the text and images below are posted from beijing, berlin, buenos aires, hong kong, los angeles, new york, sado island, shanghai, tokyo and zürich. there are a few of us, and this is the space in between.

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frequency of journey: daily (more or less), duration: 20min, means of transport: bicycle

fl011.jpg out of the door, you turn right. the first store is the lawyer’s office, the danish couple (or maybe only he is danish) with the big white dog. they helped you when your car battery was flat last summer, but you haven’t seen them since september (did they move away?). next to them, the architects. you still can’t understand what that sign on the window means. they are there at all times, especially the guy with the glasses sitting at the end of the room, looking towards the window. you wonder if he ever sees you going by, more so when you go to the bakery in the early morning, wearing your coat over your pyjamas. you ride towards senefelderstrasse. multicolour fish made out of paper are still hanging on the trees since the kids made them during the neighborhood gathering in the summer. you arrive at the corner. on the right hand, the strange building that doesn’t look like a residential building but you swear you’ve seen someone behind that curtain. you wonder who lives here. on the left corner the new café. they’ve been working on it for so long and it just opened. you don’t like it at all. you turn left and ride all the way to danziger, past the greek grocery store, you wave to yorgos. you cross danziger and continue on kollwitzstrasse. this is your new route. till last month you used to take a right on danziger, but then she suggested that you try new routes, explore the area a bit more. they are still doing construction work and you turn right into sredzkistrasse. one café at each corner. he says he prefers the brunch at the northwest corner, but that’s only because of free coffee refill. you ride on sredzkistrasse, past the store that she is planning on buying (long-term plans..). you pass the kulturbrauerei on your right, cross schönhauser and then go right onto oderberger. the bar that you wanted to go and then you went, the night before she left. you turn left on kastanienallee. the constant fear of falling into the tram lines. horrible images passing in front of your eyes, every time. not so much looking around here, you have to be careful. you only notice that poster that looks a bit like him, as your father pointed out. you were embarrassed at the time, but now you think it actually does look like him, in a funny kind of way. then right on zionskirchstrasse. if it’s a thursday then the market will be there. veteranenstrasse, the fun part, riding down the hill, but you’re always a bit scared, keeping your hands on the brakes. you go past the park where you were planning to have that picnic. maybe you will in a few months, when the weather gets better again. you continue on invalidenstrasse. it’s your other neighborhood but you still feel like you haven’t explored it enough. you remember when you visited that may, before you moved here, the nordbahnhof seemed so different then and you had no idea that you would be returning to that same place only a few months later. past the nordbahnhof, the tricky part of crossing the road, you try a different approach each time depending on traffic. and then you cross. and then you are there. (click here to see more everyday routes and the points where they cross, overlap, run parallel or tangent to each other. and if you happen to be living in berlin, we’d love to read about your daily journey)

Posted by f | reply »


挖你的鼻子,挖你的朋友 pick your nose, pick your friends

picknosepickfriends.jpgCHAN,高灵,路路,和小蔡在2007上海国际创意产业活动周, 11月15日到11月21日。”we are here for networking.” (高灵拍的照片 photo by Gao Ling)

Posted by secretary | reply »


acommuniqué number one :: hiroaki

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HK:丫:HK:丫:HK:丫:  vitamin space studio behind the star city hotel, guangzhou sunday 15:00, before catching another flight.  a conversation with 大明 turns out to be an exercise in grasping. As in holding on, we talked about it for so long, and in doing, he slapped at the computer and said “i hate this thing”, footage, a semantic exercise. It is not possible to ascertain whether one would have been more keen to remember naturally without it, as often suspected, but now all that is left are the remnants of feeling and machines. and oh yes the sparkle in his eyes.  [PUBLIC BUSa butterfly moving back and forth between the driver and the passengers seated in the front seats for the elderly or handicapped]  one may have bored already with all that talk of archiving and documentation (“don’t say that! it’s something i’m interested in!”), but in the presence of the oversignaled conversation, or a small pale blue notebook with careful letters, “home for lost ideas”, it became interesting to juxtapose the falsely alluded stability of ARCHIVE with MOBILITY (the more cities we will meet in…)  [MOBILE TELEPHONE picks up – “I’m driving, I’ll call you later.”]  An illusion, yes—-the restaurateurs sweat, i pore over how to make more space on the hard drive—-for the reels will always start to decay, the paper yellows and becomes brittle or moist with mildew, the archived item, like memory, takes a half-life, conscious of what it once was, now less than. Temporal processes (cooking, growing, getting ready) bear a physicality. These, yes, are continuities. The act of documenting disPLACEs the documented object from its subject, in terms of the mediated action, reality from its image or copy, and its positioning within the consciousness of the documentary maker.  [TAXIafter a long silence, he asks, “do people pick their nose in Beijing?”]  If we are to keep the archive moving, imagine the scenario of various speeds traveling simultaneously side by side, the tour de france, the armoured truck. it was the memory that caught up with us, and that idea, it seems somehow fantastic, slips into the corner of your vision, up through to the tip of your tongue, already in momentum, such that, as the fear goes, if i were to stop, it would keep going, taking its own trajectory, its own lifehood. they were never yours or mine, and we are merely trying, you perhaps just a bit more gracefully, to keep up.  [recreation of SUBWAY – ]“today on subway, she and i were talking about how we want to print our ribbons, with print on one end of ribbon or both. and i said that to put it on both would be more balanced.” “for sausage?” “yes. and she said, ‘different ideas of balance…’ we see the world in such different ways. she felt that if the print were all on one side, then the fullness would balance with the emptiness on the other side. and i said that’s not balance, that’s contrast. but that contrast creates balance for her, like positive and negative.” “yes, but contrast results to balance in the middle, no?” “and you know there is no original word for ‘logic’ in chinese. and i thought this amazing.” “you told me. oh, many japanese people here.” “the word is from english. but maybe it’s more true. because to think of logic is a kind of objectivism, maybe, which i should not forget is all too deceiving. i envy her a lot.” “oh. why.” “what do you mean about balancing in the middle?” “i guess what you were saying about outweighing each other.” “what was i saying about outweighing? what do you mean? trying to understand. …would like to understand something today.” “full and empty, positive and negative are not balanced, not symmetrical but the outcome in the center is 0. not sure if that makes sense…” “that’s a kind of balance, too, no?” “yes, so maybe hers is a kind of balance, too.” “i mean, i see what you mean in the sense that it’s also a kind of annihilation. and this is perfectly her, yes. it is a kind of balance, and that was a nice to see.” “a balance of difference and a balance of sameness.”  no, grasping was not the point. and yet if not, if there were no continuity in these relations, no sense of fulfilling, then do processes become reduced to mere transaction? does the momentary require a sense of place any more or less than the sedentary? would it be important, to imagine for all these words passed between, a compiled identity of all the possible words of a certain past and an uncertain future? and if we were to do so, would i be really able to see the world as you do, and would i stop moving?

Posted by 丫 | more »


like summer in fall

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We made a movie. The actors had to act like it was a high summer day, but it was cold and above their heads birds were migrating south. What’s not apparent is invisible. Hopefully.

Posted by lucio | reply »