of crosses. crossing. an owl and a cross. a stranger crossing. a reflection crossing through an image. slightly like an orthodox cross. or it is what i want to see. there is a cross here now in my room. somehow it is always here and never there. here. in this room. this room. this. a resemblance crossing. it is silver. it is a gift. it is the cross of aksum. it is small. it is an afterthought. it is coarse. not delicate. it is a time of crossing and cutting. not delicate. where things are played out at night. the young grow old in a breath. you are who you’re not. blink. blink again. the dinner table. the skylight. the washing up. you. slightly above eye level on a lump of blue-tack on the wall behind this screen. (from the drafts folder, written as a reaction to this post and other things at the time, the cross is still here, but the room is different.) (we all have basic needs.)
Posted by a | reply »i sincerely wish this for you
“you said you didn’t care when people were not talking to you but in your films, your characters are actually always trying to connect with somebody — following someone, or trying to make contact — but they just don’t seem to be able to connect.” “i prefer some distance. i don’t decide what the best distance is — how two people can get close and not feel uncomfortable. my films treat human relationships like an experiment. there’s no real conclusion. they are always experimenting, experimenting with that distance.” from an interview here
Posted by a | reply »ideas about karaoke
recorded at Lee Kit’s “Someone singing and calling your name”, december 2009
Posted by 丫 | reply »Zürich night
Photo courtesy of Nic Shepherd
Some 15 minutes after having been abandoned at the Perla Mode by an American living in Zürich, I found him again at another opening at a small exhibition space called Les Complices. He made some comment about how I was typically Canadian because of the desire I expressed (which admittedly had structured my last 5 years) to keep going out rather than back to North America. I had not assigned value to my statement, and in my view it could indeed be taken as a lack of control and capriciousness. The space, which had a DJ playing, was a queer art space. I was not sure if my jocular, drunk brotherness was appreciated, and I was in the mood to joke. Out front one of the drunk women, who turned out to be a Canadian from Montreal, tried to convince her acquaintances to go out to a non-gay place to dance. She appeared to be quite drunk, and unless I was mistaken, the other two were not very fond of her. She had pimples. The other two returned to their friends inside and I was left, so she asked me and I thought, why not, I’d like to go dancing. We walked arm in arm down the street to a place right on Langstrasse. She joked with the bouncer who tried to remain stern, they were obviously familiar with each other, and it made me feel that this was a small town. Inside it was hip hop night, and various large men rocked back and forth in the red velvet surroundings. She knew someone (although they claimed they hadn’t known each other before) and they began talking. She asked me to buy her a drink, but I really had no money on me. This other girl seemed to be looking for someone to go home with. They asked me if I wanted to fuck, said that it was what everyone in the room wants. I joked that I was a virgin and the girl believed me, appeared to take pity on me, which made me uncomfortable – when I retracted the statement she asked me what kind of lover I was. I motioned to some of the large men standing near the turntables “maybe they want to fuck.” She considered this and went to see about it. When the lesbian’s back was also turned I used the opportunity to slip out the front door with my backpack on. I walked home along the vacant street car lines. I kept thinking of the girl’s sad expression when she said she came to the bar quite regularly, but no one had interest in fucking her. It made me kind of sad too.
[courtesy of Michael Eddy, October 2009]
Posted by secretary | reply »tuning out to tune in or tuning in to tune out
it starts out as almost inaudible. actually, it’s not even a sound at all, more of a sensation or suspicion. very minuscule but you know exactly what it is. even so, you have some time to bide. the distortions have yet to make their presence felt.
the frequencies change. the quiet rustling becomes a deafening roar. time comes into focus and the need to adjust becomes apparent. ignoring this sensation only prolongs the irritable. . . .
alter, adjust, adapt, amend, modify, revise, refine, redesign, rework, reorder, vary, transform, transfigure, transmute, metamorphose, and evolve.
too quick
summer ’09
Posted by joe | more »sitting still in concentration, hindi-arabic, as the plane takes off Posted by a | reply »
i’m sorry that in illness i can’t tell old friends from new / i dream of indifferent people, but not you.
酬了天频梦微之
山水万重书断绝,/ 念君怜我梦相闻。/ 我今因病魂颠倒,/ 唯梦闲人不梦君。
(“Dream and No Dream” by 元稹 Yuan Zhen)
Posted by 丫 | more »