filmed in new york city, autumn 2006. summer 2008 finally got around to… thank you sim-chan and aka-chan and D-chan!
Posted by 丫 | reply »for severality, on fragility 1
To sustain fragility, a stamp on the box or the curiosity of half-opened contents. She says it is a trauma, beyond or prior to event, infliction in mere seconds or unconscious years, is p(h)ys(ch)ical.
He shudders in late afternoon half-sun. Sometimes, somewhere else and longing to be repeated, never repeated, she recoils, not horror. Those prickling sparks of the nerves they call falling asleep, …i’m exhausted.
Fragility means that you might find yourself not on the subjective level (coming, pre-, before you), we are partial to (one another) and we are partial (a many subjectivities). The pieces lay strewn and ambitious! What is already fragmented can beg a prism-like movement, sometimes slight twisting of the wrist to open a new light, from Levinas’ very first illumination (but in the refusal of darkness).
Once we saw three at once, a tunnel lining an enormous thundering sky, and we drove through them all.
—-not a means to an object, we pass through what passes through us. Fragility, the broken glass after the break, under but begging the open, makes transparent without needing to be seen. But it is not concealment as such (those chatting at the bar simply do not notice), nor a state to induce fascination (stillness, displacing life) so much as laying bare, not bare or just being there, in the middle of an ongoing process. The prolongation of fragility is not a state of being, but may find itself in the invisible inconsistencies of ritual, the anticipation or the suspension of an event. Its fascinance can never be an isolated moment, for it can only exist in relation to the other, as cause or affect or the relinquishing notion of wanting to be part of all of you. That longing, whether in pain or love, is more real that real itself, for it is the realm of the possible-not-yet.
Fucking phantasy! I owe you one.
1 Martin Hielscher, Hiroaki Kanai, Sean Smith, Fotini Lazaridou-Hatzigoga, Pierre Huyghe, Bracha Ettinger
Posted by 丫 | reply »on the verge
回来了,回去了. the hours in between. a trying, an attempt, to make sense of it all, or, digestion, reflection, but, no tripod, or quick thinking, books on a table, and the weather, the weather, apologies, it might have been more interesting, to you, had i made recordings, a spontaneous idea from a flight on sterling, a quick purchase at hema, yet a nasty view of the hotel swimming pool at the holiday inn topkapi, and a continuous falling asleep, the inability to get up at the crack of dawn, and a fear of hotel personnel, so then your memory (always fails) for the last (four) hours before the dash for a forgotten jacket – “i’m only here for a day, i don’t live here anymore, i don’t think it would work out for your greenpeace promotion.. sorry….” in haste forgetting thoughts of afore: contemporary swedish souvenirs: svensson jeans and henry geldzahlers words: “russians are the worst expats, no matter how long they’ve been living in another country, 20 years or more, they’re still yearning for russia.” and yes or no quotation marks, alternate shots, dot dot, wipe, dot dot, wipe, and ‘child’ might have been better than ‘baby’, a shock at the dinner table, and the wonders of photoshop when misspelling words in foreign languages, and perhaps one should stick to single lines in future… …but thank you very much for your words, it was nice to see you (again)…
Posted by a | more »resort ’08 (the texans and then some)
Posted by 丫 | more »
like summer in fall
We made a movie. The actors had to act like it was a high summer day, but it was cold and above their heads birds were migrating south. What’s not apparent is invisible. Hopefully.
Posted by lucio | reply »falling and falling (and hanging on)
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Posted by f | reply »remembering “understanding the culture of collaboration”, propaganda, and girly stuff
hola s,
i don’t know yet exactly what kind of resolution you will need for the final, but i am going to send you now at least a low-res version you can send easily to everyone else.
also haven’t decided on a final layout, as i don’t know the size/proportions of printing, or if these editorial decisions will be purely left to you, because i also had the thought of just trimming the whole image down to only two pictures, blown up very big and very digitized.
what do you think?
hope you like it, and looking forward to hearing more from the others…cheers, 丫
Posted by 丫 | reply »a koan for the distant neighbor near 雍和宫, for you to give? 我都无奈了 (a gossip column)
the story goes like this: Master Nansen notices that all of the monks in the temple have been playing with a kitten they have discovered, but this small kitten becomes a source of contention between different sides of the temple, and the monks of the East Hall and West Hall begin to quarrel. Nansen takes the kitten and says to them, unless anyone can give a good reason why i should not kill this cat then i will have to do so. No one is able to voice a reason to save the kitten’s life, and the master subsequently beheads it. Later, when Joshu returns to the temple from an errand, the priest says to him it was such a pity he had not been there earlier, that he might have been able to save the kitten’s life. Upon hearing the story, Joshu takes his shoes off and places them on his head.
“a jouissance and trauma event.” rediscovering wikipedia (she had not been to the art fair, though always knew who was sleeping with whom), an answer, an answer, thinking as praxis. three meals a day, always a vegetarian option. (he’ll be moving to new york soon, G train commute) new word-constructs in the evening make up for things vaguely said, (the athletic body can’t touch his toes, thinking about serenity, sunburned amidst snow) an evening affronting thoughts, but 如果这样呢? can cultural translation do what you do (a builder bounds up the mountain, jeans torn at the inseams), and would it be offensive——no competitive——his blind light, the other’s parrot, what you didn’t say may very well have been an ideology, too (he smiles so sweetly, nodding, Vertigo). but it moved me, it moved me, almost to toes but not quite yet, knees in pain, and it occurred that simone may have found it a warm-up kind of activity (pick another person in the room, and without them knowing it, follow them, follow them until the signal then try to grab at any cost), but physicality on time-delay is an encounter event, too. though we’re not yet feminist, nor poiesistic, and matrixial, hmmm… if it were so idiosyncratic and marginal, will it still exist in the end? (she said one gets used to the sight of dead bodies, and her eyes turned green) still have not seen Céline et Julie Vont en Bateau but have been thinking about it for years. the years don’t cut it, oh thirty, counting down, cut me out, 放新学的字在桌子上, words with slashes in between (she said he was like a New York painter in the 50s, but he prefers New Brunswick), what works like that , no more fixing up, please, “the possibility with a project is just to try.”
Posted by 丫 | reply »