the text and images below are posted from beijing, berlin, buenos aires, hong kong, los angeles, new york, sado island, shanghai, tokyo and zürich. there are a few of us, and this is the space in between.

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wearing/tracing
Posted by anyway | reply »


手势检查第二: 捋头发 | gesture study 2: hair-ing Posted by 丫 | reply »


buttoning


gesture study 1: buttoning/unbuttoning (work in progress)

a project about the relationship between individual and object, in this case a button, the stories it may contain and the gestures associated with its use. in collaboration with hiroaki kanai.

Posted by f | reply »


理变奏曲 variations on lǐ

filmed in new york city, autumn 2006. summer 2008 finally got around to… thank you sim-chan and aka-chan and D-chan!

Posted by 丫 | reply »


whatever singularities (hurrah for you and me and you and you and you)

Whatever singularities cannot form a societas within a society of the spectacle because they do not possess any identity to vindicate or any social bond whereby to seek recognition. …The threat the state is not willing to come to terms with is precisely the fact that the unrepresentable should exist and form a community without either presuppositions or conditions of belonging (just like Cantor’s inconsistent multiplicity). The whatever singularity—-this singularity that wants to take possession of belonging itself as well as of its own being-into-language, and that thus declines any identity and any condition of belonging—-is the new, nonsubjective, and socially inconsistent protagonist of the coming politics.

–from “Marginal Notes on Commentaries on the Society of the Spectacle“, Giorgio Agamben

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today. you and we. happy birthday miss asuka

a year passes – 誕生日お目出度う happy birthday, aka-chan 生日快乐 – the day whiles away… late afternoon, almost evening… more space these days for time, for thought for re-collecting, gathering, re-organizing, arranging, and you, ever-preparing for an unfinished moment, future, now in a box, the a-4 papers placed on top as they don’t fit, remembering in april to prepare for may, but when? after ten? after twenty? alas the archive! a year passes – 誕生日お目出度う happy birthday, aka-chan 生日快乐 – the day whiles away… a day with the memory of you and your birthday, perhaps not so different from the year before just that we didn’t record or we didn’t say. so today we learn new things, we capture video, eat a good crispy jian bing, we wear things long forgotten, we receive a phone call from japan, do grocery shopping, cycle to the village, we watch dance, we buy more food in the village, apples, bananas, pears, peanuts mixed with raisins, two filled pancakes and an egg pancake, and we search for a picture of a birthday cake we don’t find, only the not so good one where the candle wasn’t lit and more food is visible on the table, while searching we collect other images, we stop for a moment, we miss you – a year passes – 誕生日お目出度う happy birthday, aka-chan 生日快乐 – the day nears its end… miss asuka-chan, how was your day?

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a sofa, a table, a lamp, a bookshelf, a plant, a TV

a body, a living room, a vessel. “…maybe I would say all the kulturelle komponente that i have inherited…” oversea is a work-in-progress from simone, mon and e. [link to project blog] First showing at the Premio finale, May 2008 at Theatre Tuchlaube in Aarau, Switzerland. many thanks to all those who allowed us to interview you, Peter, Thom, Karin, Benji, Rahel, Nomsa, Flurin, Meret, Catja, Binh, Rudy, Lidy, Thi-Xiem and Chieu.

Posted by 丫 | reply »